MIT Lecture Series Committee

December 6 & 7, 2013

Rated PG
76 minutes

view trailer

format: 35mm

The Nightmare Before Christmas (1993)

FREE admission, sponsored by the UA Finboard!

Jack Skellington (voice of Chris Sarandon) is the Pumpkin King of Halloweentown, a realm of reality where the inhabitants make it their life's work to scare humans on Halloween. He's good at his work, and is very popular around town, but it all bores him. In a funk one day, he wanders into a wood where every tree is the doorway to realms serving one or another human holiday, and falls through the doorway into Christmas. There, he sees scenes of such glee and good will that he is overwhelmed. He returns to Halloweentown with the inspiration to persuade his fellow citizens to kidnap Santa and do Christmas in their own Halloweentown way -- complete with snakes and shrunken heads. Despite strong arguments against this project by Jack's otherwise loyal girlfriend, Sally (voice of Catherine O'Hara), Santa (voice of Edward Ivory) is duly captured, and the townspeople prepare a very special Christmas for everyone. Jack is excited about the new plan, and at first doesn't notice that Sally isn't around much anymore. Meanwhile, Oogie Boogie (voice of Ken Page), a sinister opponent of Jack's, has re-kidnapped Santa and has captured Sally as well. Since Sally is the true love of Jack's life and (he eventually realizes) the only one who can be relied upon to tell him the truth in every circumstance, a confrontation with Oogie Boogie becomes inevitable. In addition to being a monumental work of animation (it took over 120 animators and many more technicians more than two years to film it), this show features ten very appropriate musical numbers by composer Danny Elfman, who also supplies Jack's singing voice. [www.allrovi.com]

A work of grand visual wit, clever songs, funny gags and genuine pathos, it is perhaps the greatest stop-motion animated film ever, a painstaking style of model animation that computers have all but completely done away with.
      -- Roger Moore, Orlando Sentinel. Read this review.